The Futures Archive S2E6: the Bug Zapper

Note: This episode addresses topics notably sensitive in gentle of this week’s college capturing in Texas. While Design Observer has by no means shied away from difficult conversations, the editors acknowledge that this content material may be difficult for some listeners. Content Warning: Violence, killing, and loss of life are mentioned on this episode. It could be onerous to search out somebody who desires to share house with a mosquito. Hence, the creation of the outdoor bug zapper zapper. But as designers, rechargeable bug zapper electric bug zapper zapper how do we tackle what lives and what doesn’t? On this episode of The Futures Archive Lee Moreau and Sloan Leo go deep on how human-centered design doesn’t all the time reflect humanity. With further insights from David MacNeal, Juliano Morimoto, Spee Kosloff, Paula Antonelli, and Lindsay Garcia. There may be a necessity for humans to exert their authority, however there can also be a necessity for us to exert our love. The thing that I hope we hold space for is: That is all practice as a result of it’s not going to be resolved, and it shouldn’t be.

That would create some type of stagnancy. Life is definitely about holding house for dynamism, modifications and cycles. Lee Moreau is President of Other Tomorrows, a design and innovation consultancy based mostly in Boston, and a Professor of Practice in Design at Northeastern University. Sloan Leo (they/he) is a Community Design theorist, educator, and practitioner. They are the founding father of FLOX Studio, a neighborhood design and technique studio. David MacNeal is a writer and the creator of Bugged: The Insects Who Rule the World and the People Obsessive about Them. Dr. Juliano Morimoto is an entomologist and lecturer on the University of Aberdeen in Scotland. Spee Kosloff is an affiliate professor of psychology at California State University in Fresno and co-creator of « Killing Begets Killing: Evidence From a cordless bug zapper-Killing Paradigm That Initial Killing Fuels Subsequent Killing ». Paola Antonelli is an creator, architect, and the Senior Curator in the Department of Architecture and Design on the Museum of Modern Art, in addition to MoMA’s founding director of Research and Development.

Lindsay Garcia is an artist, scholar, and an assistant dean at Brown University. Kathleen Fu created the illustrations for every episode. An enormous due to this season’s sponsor, Automattic. Hi, everybody, this is Lee. Every week is a bit completely different on this present. And this week, whereas we’re still speaking about design, we’re going to be talking about some pretty serious issues. And so I want to make sure that everybody who’s listening is aware of that is in a good place when they’re listening. And that i encourage you to examine our present notes prior to listening to the episode so you perceive the context of what we’re speaking about and prepare ourselves a bit. Beyond that, I welcome you to the conversation and i hope you find this dialog as powerful as it was for us. And outdoor bug zapper i thanks for listening. Welcome to The Futures Archive, a show about human centered design where this season, we’ll take an object, look for the human at the center and keep asking questions.

… and I am Sloan Leo. On every episode we’re going to start with an object with power. Today the object is the bug zapper for patio zapper. We’ll look at the history of that object from our perspective, as designers who’ve performed work in human centered design. Not simply how it seems and feels and sounds and smells, but additionally the connection between that object and the individuals it was designed for… … and with different people too. The Futures Archive is dropped at you by the design staff at Automattic. Later on, we’ll hear from Vanessa Riley Thurman, a member of Automattic’s Designer Experience Team. Sloan Leo, it’s fantastic to see you again. Thanks for joining us. Lee, it’s a thrill to be right here. So I’m wondering-for this specific episode, I’m questioning if you would inform me a bit bit about your historical past as a baby with bugs and insects. Where you this form of like, like child that like liked the creepy crawly stuff?

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